Eaton Hamilton

the problem with being trans is cis people. The problem with being queer is straight people. The problem with being disabled is abled people. The problem with being Black is white people. In other words, prejudice.

Tag: Best American Essays

I seem to have missed last week. Composed the post, forgot to hit “publish.” Apologies.

Lovely to be notified via twitter that I have a Notable essay in Best American Essays this year. My essay “Splinter” was published in the LA Review of Books (LARB) and edited by Gina Frangello. With many thanks to BAE, and thanks and gratitude to Gina and LARB. “A collection of the year’s best essays, selected by award-winning journalist and New Yorker staff writer Kathryn Schulz.” (Amazon)

Congrats to the essayists included in the volume due Nov 1! I’ve been reading them the past few days. So far, really enjoy Debra Gwartney’s “Fire and Ice.”

Here is the link to “Splinter.

Best American Essays 2021 Notable!

A page from the 2021 Best American Essays Notables, with my deadname

Well, well, well. I came home from my kid’s house tonight to the news on twitter that my essay “The Dead Green Man,” which won Event Magazine’s cnf contest last year, is a Notable in this year’s Best American Essays, ed Kathryn Schulz. Thank you to Robert Atwan, series editor, who is the magician who makes these things happen (or so I assume)!

I should mention that this essay doesn’t appear online, so to get a copy you’d need to contact Event Magazine in BC, Canada.

I didn’t imagine this essay had a chance of being a Notable, because it’s an essay looking at guns from a Canadian’s perspective, which I thought would read as pretty naive from the US experience.

After I heard the news, I ate a late dinner I’d cooked earlier and rubbed spicy bbq sauce in my eye. Thank you very much, life, for keeping me waaaaaaay humble.

[As a point of interest for those curious, it’s really, *really* hard to see this with my deadname.]

Intimate Partner Violence (IPV) BELIEVE THE VICTIM

This is a literary blog and exactly the place literary essays about domestic violence belong.

October is Domestic Violence Awareness month in the US. November is Domestic Violence Awareness month in Canada.

S/he/they don’t have to be hitting you for you to be a victim; abuse happens with gaslighting, lying, cheating, yelling, sexual abuse, dehumanizing you, demeaning you, threatening you, throwing things, frightening you/the children. This month and next, I ask everyone to remember that this is not just a heterosexual, able-bodied crime. The disabled are victims of violence at home at a much higher rate than are the able-bodied. Queers and trans people are frequent victims of violence both outside the household perpetrated by strangers, and inside it perpetrated by their intimate partners. If you want to read more about queer violence, I started a website to collect the pieces I could find about it at www.queerviolence.com.

Thank you, readers, for having the interests of victims at heart this month and next. It is your understanding that will make a difference. Thank you for educating yourselves.

All a household needs for domestic violence to occur is one partner who feels entitled and willing to batter. It’s not about the victim. It’s entirely caused by, about and the fault of the offender.

Why doesn’t she leave? S/he/they have told her that she’s crazy, she’s imagining things, it’s not that bad, s/he/they love her. Periodically, the violence ends and the loving relationship begins anew, refreshed and revitalized This pattern of violence broken by love broken by violence broken by love eventually twists a victim’s mind. She believes in the love. She hungers for it. She needs it. It’s the “real” relationship, after that. The violence is just something to be borne. This creates a psychological condition called trauma bonding. (In a hostage situation the same dynamic would be called Stockholm Syndrome.) When there’s violence, she would give anything, do anything, be anybody just to have the pendulum swing back to where her partner loves and approves of her again.

Kids are often caught in the crossfire and this is particularly grievous because they are observing behaviour that will make them feel “at home” as adults. They won’t know how to form healthy relationships with healthy people. If you can’t make yourself leave for yourself, make yourself leave on behalf of your children.

Call your local transition house because, there, you will have breathing room to think through your circumstances and to begin the process of healing and figuring out the next steps to your free future.

What can you do? Support resources helping battered women. Educate yourself on feminism and why it’s critical to everyone’s future. BELIEVE THE VICTIMS. If you like the offender, and you don’t like the victim, nevertheless, BELIEVE THE VICTIM.

Read Why Does He Do That? Inside the Minds of Angry and Controlling Men by Lundy Bancroft.

Below, I’ll link to literary essays on abuse. Please feel free to add the ones that have been important to you in the comments.

It Will Look Like a Sunset by Kelly Sundberg, Guernica, Best American Essays

Apology Not Accepted, a blog by Kelly Sundberg with guest essayists on the topic of IPV

(Stay tuned for a book on the topic by Kelly Sundberg in 2018.)

Using CNF to Teach the Realities of Intimate Partner Violence to First Responders: An Annotated Bibliography, by Christian Exoo, Assay Journal

The Story of My Fear Over Time, by Kelly Thompson, The Rumpus

Underwater, by Kelly Thompson, Manifest Station

I Understand Why Some Women Stay, by Virginia Mátir, xojane

The Mule Deer, by Debbie Weingarten, Vela

On Car Accidents and Second Wives, by Mandy Rose, Apology Not Accepted

Never Say I Didn’t Bring You Flowers, by Jane Eaton Hamilton, Apology Not Accepted, Full Grown People, notable in Best American Essays

 

 

Best American Essays Notable

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Thrilled to have an essay chosen as one of the notable essays of the year in Best American Essays 2016, ed Jonathan Franzen. I rarely write non-fiction so it’s a doubly pleasing honour for me. I once had a story chosen as a notable story in Best American Short Stories, and a poem will come out this year in Best Canadian Poetry, so the cross-genre’ing pleases me. Now, the substantial pleasure of reading these celebrated essays!

Never Say I Didn’t Bring You Flowers, Full Grown People, ed Jennifer Niesslein

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