Eaton Hamilton

the problem with being trans is cis people. The problem with being queer is straight people. The problem with being disabled is abled people. The problem with being Black is white people. In other words, prejudice.

Tag: disability

Easter and passover greetings to those who mark these

Painting by: Eaton Hamilton 2021? pastel on pastel paper, Shirley poppies

ID: Red poppies in a green garden

Has the literary world has shifted to the right over, say, the length of the pandemic? If pressed, I’d say yes.

I’ve been hoping to see more work from marginalized authors–racialized, yes, and also from non-binary, autistic, disabled, older authors–but is publishing becoming more conservative, less likely to take chances on books they would have to develop or tap into unused markets for? Perhaps in part it’s book bannings having a spillover effect; perhaps the anti-drag-queen/trans propaganda is becoming convincing to some; perhaps MAiD turns people away from disabled lives? Perhaps it’s simply the economy.

Somebody was asking my favourite presses. My knowledge of US publishers is not vast, but I’m especially fond of books coming out of Riverhead (Penguin Random) and Counterpoint. In Canada, we are spoiled for small-press choice. I’m hooked on books from Book*Hug, Coach House, Wolsak and Wynn, House of Anansi and Biblioasis. Hardly an exhaustive list. Near me, Arsenal Pulp Press who brought out my last book, the novel “Weekend,” and Caitlin Press, who brought out my last book of poetry. It’s poetry month, so please consider Brick Books in Canada.

I had a good, if grinding, writing week. I’m editing 10 pages of the current novel per day, which I sometimes don’t manage to finish until after midnight. This week was hard because I’m toward the end of the book and have changed some plot lines as I’ve gone along, so there’s a lot of deleting text and new composition, and, when I’m through, a new set of scenes to write. Draft 9 and eleven years in!

These days, I generally set aside time in chunks to work on the house, paint and work on writing but my schedule sort of fell apart when I looked after grandkids for half of their spring break. Hopefully I can force myself back on track, because I count on studio time to force my over-active brain to chill out. I already sit to paint, and because of my disabilities I can only last about an hour, physically. What do other disabled painters do to manage the challenges and limitations of their bodies?

Writing and painting are similar. For both, you require discipline, creativity and the ability to translate nebulous ideas into reality. They also involve a lot of drafts. Most painters don’t refer to “drafts” of paintings, but I do. I would love to be able to paint alla prima (finishing a painting in one sitting) because my disabilities are made for it, but in actual fact I can’t stay at it long enough.

I’ve learned that my brain will switch off at a certain point when it’s unable to pay true attention any longer. That’s a better cue to vacate than waiting for my bodily cues, which often come too late to stop a day of pain.

If you’ve ever been inclined to buy a .painting, now is a most excellent time. 10% off to anyone in April who mentions this post. I mail throughout continguous N America.

Anytime is a good time to buy one of my books!

Feel Like Faking Your Own Death? Apparently, You Can

Painting by Eaton Hamilton 2022/23 12×12″ on stretched canvas, oil, The Friendship (maybe they’re discussing Susan Meachen)

ID: Two yt women lying on a floatie at the edge of a swimming pool, holding hands, blue and white towel on side of pool

How desperate are you to succeed in the lit world? People have faked a lot of things in writing–faked their identities, faked being Indigenous or Black, passed other authors’ texts off as their own work, and now, have even pretended to commit suicide. Would you fake your own death to increase your sales? Well, romance writer Susan Meachen did, while having her”sister” continue to post on social media, until, finally this week, 2.5 years into it and wanting her old life back, she came clean. She apparently didn’t think she’d done anything wrong, but the moral injuries others feel are heightened.

You can find more about this fraudster here:

BBC

The Times UK

Quick one, this week

Painting: Eaton Hamilton 2022, acrylic and mixed media, 11×16″ archival paper ID: portrait of woman with brown, shoulder length hair wearing lime shirt, blue background

May your weeks be free from debt, acrimony, bitterness, hatred and deceit.

Diversity in authors and subject matter

painting by: Eaton Hamilton 2020; woman in wheelchair

I knew diverse representation in publishing was bad, but I didn’t understand quite how bad it really was until authors divulged their advances on twitter’s #whatpublishingpaidme thread a couple years back. Even to me, who absolutely expected evidence of racism, homphobia, transphobia and ableism, it was a shock how publishing advances often had nothing to do with prior publishing success and a whole lot more to do with whether or not the author was white, able-bodied, straight and cis, and, often (still), male.

The red carpet rolls out for those folks, and not so much for the rest of us. I do maintain that most agents and publishers give lip service to wanting diverse books and authors, but in actuality they really only want to want them. They used to tell us that our stories were overloaded by the addition of queer characters and they’d suggest the protagonists be straight so as not to distract from the storyline, but now they say there’s just not an audience. What they really mean by that is that they’re not willing to give a good advance to work they’re not personally interested in, nor go to the trouble and expense of finding the book’s enthusiastic market.

I’m sick of it. It’s lasted all my literary career. All of it, over 35 years of it. You don’t know my books because of this discrimination, and that is true for thousands, perhaps hundreds of thousands, of other artists as well.

If you build it, to quote WP Kinsella, they will come.

Here’s The Guardian discussing diversity in publishing lately:
Changing the narrative on disability: is representation in books getting better? by Lucy Webster

and here they are, recently, discussing senstivity readers:

Stop moaning about sensitivity readers – if there was diversity in publishing we wouldn’t need them, by Juno Dawson

About Us: Essays from the NY Times Disability Series

 

I’m happy to say I have an essay coming out in this fall collection on disability. You can pre-order now. Here is the link to the book at Amazon.ca. Here is the link for Amazon.com. Here is the Publisher’s Weekly review:

“In this exquisite collection drawn from the Times essays series started in 2016, disability is, refreshingly, seen as a part of daily life, even as the contributors discuss facing a “world that does not expect us and is often not made for us.” Ona Gritz, who has right hemiplegia, a form of cerebral palsy, recalls asking a literary agent who suggested she write a memoir, “Would I have to be disabled on every page?” Coeditor Garland-Thomson, having learning her asymmetrical hands and forearms are caused by complex syndactyly, an exceptionally rare genetic condition, no longer feels like an “orphan” but part of a “world of disability pride and advocacy.” Similarly, the late Oliver Sacks finds value in his disability, an increasing loss of hearing, enjoying how “in the realm of mishearing… a biography of cancer can become a biography of Cantor (one of my favorite mathematicians)… and mere mention of Christmas Eve a command to ‘Kiss my feet!’ ” The 1990 Americans with Disabilities Act comes up often throughout, making fully clear the turning point it represented. Demonstrating, above all, the value of persistence, Catapano and Garland-Thomson’s anthology merits a spot on everyone’s reading list for its brilliant assemblage of voices and stories. (Sept.)” Publisher’s Weekly

Kirkus Review calls it “A rich, moving collection.”

The Pleasure Scale, Gay Magazine

illustration: Jessica Poundstone

“The Pleasure Scale,” my contemplation on disability, pleasure and pain, is up today at Gay Magazine. Be forewarned that it is sexually explicit.

I realize there’s so much more to be said about pleasure, mine, and, of course, that found by others.

“I want to feel my body opening in the way it can open, like it is split, and is yawning in two pieces like a knifed watermelon, when it can take not only a fist but a globe, it can take every war, every famine, every mining disaster, every broken child behind bars, every river of tainted water into itself and it can turn water clear and take the broken children onto its lap and cause weapons to be laid down and corpses to rise and people to laugh again.”

“Weekend:” have a great one, people

It’s great to get thoughtful and lengthy reviews of one’s work. Thanks to Casey!

“There’s a lot to revel in in Weekend, just purely from a representation angle. When was the last time you read a queer novel about people in middle age, let alone a novel that has extended sex scenes featuring queer people in their 40s and 50s? Older queers getting it on feels revolutionary in and of itself, but Hamilton also features a character who is disabled and black (Ajax has a heart condition and grew up in the Bahamas), a trans masculine character who uses they pronouns (Logan), a masculine-presenting polyamorous character who uses she pronouns (Elliot), and a kinky couple (Logan and Ajax). None of this feels forced or for the sake of diversity itself, but simply a portrayal of some real people with various intersecting identities.

“As you’re probably guessing, this is a highly character and relationship driven novel. You know at the beginning that shit of many kinds is going to hit the fan for both couples. Hamilton takes you there slowly while letting you get to know all the characters, their dynamics, and histories. The only other work I can think of that has so much authentic dyke processing in it is Alison Bechdel’s Dykes to Watch Out For. Logan, Ajax, Joe, and Elliot talk about their gender and sexual identities (I found Ajax’s ruminations about her lesbian identity in the face of Logan’s in-flux gender identity particularly fascinating), sex, feelings, their exes, illness, and relationship practicalities.”  -Casey, the Canadian lesbrarian

Here is the rest of her review:

Viscerally Real Queers, Dyke Processing, Kink, and Disability in Jane Eaton Hamilton’s novel WEEKEND

Writing Through Disability; Sonya Huber at LitHub

Writing With and Through Pain

by Sonya Huber

“The Key is to Not Panic in the Face of this Void”

The talented, skilled and disabled Sonya Huber, author of the stunning “Pain Woman Takes Your Keys,” writes about how pain affects her literary process.

Sonya Huber is the author of five books, including the essay collection Pain Woman Takes Your Keys, and Other Essays from a Nervous System. Her other books include Opa Nobody, Cover Me: A Health Insurance Memoir, The Evolution of Hillary Rodham Clinton and a textbook, The Backwards Research Guide for Writers. Her work has appeared in The New York Times, The Washington Post, The Atlantic, Creative Nonfiction, Brevity, and other outlets. She teaches at Fairfield University and directs Fairfield’s Low-Residency MFA Program.

“Celebrating Diversity by Dismantling CanLit” by Amanda Leduc

I love when I learn more about people with whom I’m social media friends–people I notice in special ways, yet when I actually parse our relationship, realize I barely know at all. Here is Amanda Leduc, one of the champions of the Festival of Literary Diversity, on the FOLD Festival, on growing up disabled and trying to find herself in books, on UBCA’s devastation, on privilege, on GritLit (and generally the struggle of festivals to give up privilege, examine their biases and to provide accessibility). I am mentioned here, full disclosure, representing disability rather than with my kin, the big old queers, but what I know is that I’m lucky to be a participant at FOLD this year in any identity. I love the idea of this festival and their fight through the thickets of Canlit so hard.

Thanks, Amanda, for this article.

Celebrating Diversity by Dismantling CanLit

 

 

Books by Writers with Disabilities

I love that slowly, slowly, we build a literature about disabilities written by the disabled themselves. Pain Woman last year by Sonya Huber is one such book. Another is the upcoming Sick by Porochista Khakpour. Dorothy Palmer, well-known for her clear reports/retorts about/to UBCA, has a memoir coming out this very year.

Now here is an interview with author Kim Clark on her book A One-Handed Novel. Her narrator has MS. Can’t wait to read this.

The BBC ignited fury after having 3 able-bodied spouses on to talk about the hell of having spouses with disabilities. I have threatened to write an essay about the hell it is to have an abled spouse.

My novel Weekend with one disabled character and plenty of romance wouldn’t pass my own Bechdel Disability Test, in that it is a romance, and there’s just one character with a disability, but Clark nevertheless recommends it as a good read.

Read Local BC

 

In Conversation–with Room Magazine

I’m lucky to be judging the Room short forms contest this year; I was interviewed by Mica Lemisky here. I hope you consider entering because I’d certainly like the chance of reading your (exciting, invigorating, devastating, soulful, perplexing) work!

Intimate Partner Violence (IPV) BELIEVE THE VICTIM

This is a literary blog and exactly the place literary essays about domestic violence belong.

October is Domestic Violence Awareness month in the US. November is Domestic Violence Awareness month in Canada.

S/he/they don’t have to be hitting you for you to be a victim; abuse happens with gaslighting, lying, cheating, yelling, sexual abuse, dehumanizing you, demeaning you, threatening you, throwing things, frightening you/the children. This month and next, I ask everyone to remember that this is not just a heterosexual, able-bodied crime. The disabled are victims of violence at home at a much higher rate than are the able-bodied. Queers and trans people are frequent victims of violence both outside the household perpetrated by strangers, and inside it perpetrated by their intimate partners. If you want to read more about queer violence, I started a website to collect the pieces I could find about it at www.queerviolence.com.

Thank you, readers, for having the interests of victims at heart this month and next. It is your understanding that will make a difference. Thank you for educating yourselves.

All a household needs for domestic violence to occur is one partner who feels entitled and willing to batter. It’s not about the victim. It’s entirely caused by, about and the fault of the offender.

Why doesn’t she leave? S/he/they have told her that she’s crazy, she’s imagining things, it’s not that bad, s/he/they love her. Periodically, the violence ends and the loving relationship begins anew, refreshed and revitalized This pattern of violence broken by love broken by violence broken by love eventually twists a victim’s mind. She believes in the love. She hungers for it. She needs it. It’s the “real” relationship, after that. The violence is just something to be borne. This creates a psychological condition called trauma bonding. (In a hostage situation the same dynamic would be called Stockholm Syndrome.) When there’s violence, she would give anything, do anything, be anybody just to have the pendulum swing back to where her partner loves and approves of her again.

Kids are often caught in the crossfire and this is particularly grievous because they are observing behaviour that will make them feel “at home” as adults. They won’t know how to form healthy relationships with healthy people. If you can’t make yourself leave for yourself, make yourself leave on behalf of your children.

Call your local transition house because, there, you will have breathing room to think through your circumstances and to begin the process of healing and figuring out the next steps to your free future.

What can you do? Support resources helping battered women. Educate yourself on feminism and why it’s critical to everyone’s future. BELIEVE THE VICTIMS. If you like the offender, and you don’t like the victim, nevertheless, BELIEVE THE VICTIM.

Read Why Does He Do That? Inside the Minds of Angry and Controlling Men by Lundy Bancroft.

Below, I’ll link to literary essays on abuse. Please feel free to add the ones that have been important to you in the comments.

It Will Look Like a Sunset by Kelly Sundberg, Guernica, Best American Essays

Apology Not Accepted, a blog by Kelly Sundberg with guest essayists on the topic of IPV

(Stay tuned for a book on the topic by Kelly Sundberg in 2018.)

Using CNF to Teach the Realities of Intimate Partner Violence to First Responders: An Annotated Bibliography, by Christian Exoo, Assay Journal

The Story of My Fear Over Time, by Kelly Thompson, The Rumpus

Underwater, by Kelly Thompson, Manifest Station

I Understand Why Some Women Stay, by Virginia Mátir, xojane

The Mule Deer, by Debbie Weingarten, Vela

On Car Accidents and Second Wives, by Mandy Rose, Apology Not Accepted

Never Say I Didn’t Bring You Flowers, by Jane Eaton Hamilton, Apology Not Accepted, Full Grown People, notable in Best American Essays

 

 

Writing and Disability: She used to be a writer, but then she got sick

At the wonderful Lit Hub, Emma Smith-Stevens writes about the shock of illness, and how losing physical capacity threw everything else in her life into question.

I Used To Be a Writer

Edie and Thea–marriage and disability

Edie and Thea, a movie still

A lot of you know I was one of the litigants who sued Canada’s federal government in 2000 for the right to marry my queer, long-term partner. I’m not a big booster of marriage in general, given its roots in female ownership, and some of its current reflections of same, but I found it offensive that a group of people had been systematically excluded from a civic right available to the rest of the population. I worked with lawyers barb findlay and Kathleen Lahey toward our ultimate success June 8, 2003 and was fortunate to be sitting in the Supreme Court of Canada when Beverly McLaughlin’s court changed our constitution to reflect the new, inclusive law.

Until 2003, you didn’t have the right in Canada, if you were queer, to decide whether or not to marry. We’ve had the right to make up our own minds about marriage for 14 years less a week now.

Heterosexuals changed their minds about us, recognizing our humanity because they recognized the similarity of our vows. Hets spoke marriage and so we began to have a dialogue toward reconciliation and safety.

Why that matters, still, is that we can’t be entirely safe without allies. We can’t fight the battles ahead, which I fear may start grim and devolve, without having each other’s strength and courage to lean on. There are a lot of incidents mentioned in the news now where a straight person stopped an attack we couldn’t stop.

While recognizing that marriage is a flawed institution that evolves in contemporary but still flawed ways, I believe that, all in all, marriage has nevertheless been a great plus for my community. Yes, we got corporatized and gawd knows our Pride marches got taken over by big business and the various arms of the military. But we can stop participating in where that’s gone. We can make our own community Pride again, particularly in support of BLM. We can wrest Pride away from the forces which overtook it and say, again goddammit, This is ours.

People in the community still diss the litigants for ruining queer culture (many of the people who lobbed this charge at us then took advantage of equality to get married themselves). But I watched the magic of visibility unfold as I attended a rash of friends’ weddings, then witnessed for couples from Israel, Singapore, Hong Kong, Australia, the US, New Zealand, the UK, France, countries in Africa and more.

One of the couples who availed themselves of Canada’s changing marriage laws was Edie Windsor and Thea Spyer, a longterm couple from the US, memorialized in an eponymous movie. I wanted to mention them not because their love was long, or solemnized at its end by marriage, but actually because Thea, one of the two, was from her forties disabled, using various canes and then a wheelchair, and the movie was filmed entirely from this later vantage point, making it a study of love and disability, valuable for people with disabilities and the people who love/care for them.

People may know that I am in and out of wheelchairs, and utilize scooters and walkers. I have thought a lot about whether my disability is a burden (my wife left our marriage declaring that life with disabled me was “1/4 of a life”) and I have decided that no, it isn’t. That the part of me that believes it is is the shamed part that the able-bodied seek to disempower, who finds different to be lesser. I am not lesser. I am not less intelligent. I am not less kick-ass. I am not less talented and skilled as a writer.

I am just not always able to get to the podium, is all, because you able-bodied people insist on repeatedly making that a hard thing for we disabled people. Even today this happened again, for readers and audience in Toronto, though replacing the inaccessible venue only took two hours in the end. (But does the new choice have a safe enough ramp? “Nothing without us,” is part of CripCanLit’s pledge. Please invite us into the discussion before you choose your venues.) Read Nine Phrases Allies Can Say When Called Out Instead of Getting Defensive.

But not to get distracted. My point here is that the person who gave my ex-wife 1/4 of a marriage–if indeed that’s what I had–was not me, but in fact the woman who perceived it as such. Witness how Edie handled it instead.

The movie Edie and Thea shows how to love completely and endearingly while loving someone seriously disabled. And I admired it, and the two of them and the filmmakers, for giving all of us a template on how to do this.

 

Chronic pain and disability: Leah Lakshmi Piepzna-Samarasinha’s So Much Time Spent in Bed

13b

Sketch: Jane Eaton Hamilton

This wonderful article by Leah Lakshmi Piepzna-Samarasinha on coping and dreaming with disability as a writer of colour. Coincidentally, when this article came to me, I had just started reading Dirty River: A Queer Femme of Color Dreaming Her Way Home.

So Much Time Spent in Bed

Am I Too Embarrassed to Save My Life? My essay in the NY Times

screen-shot-2017-02-07-at-12-31-17-pm

Am I Too Embarrassed to Save My Life?

NY Times

I’m told it had over a hundred thousand hits. I hope to have a few things to say here that answer some people’s questions. If you would like to leave additional questions or remarks here, I will try to include them.

27 Books Every Person In Any Country Should Read

…but especially if you’re attending one of the hundreds of Women’s Marches around the world this weekend. Or should I say especially if you’re not?

screen-shot-2017-01-17-at-12-37-41-pm

“These novels, essay collections, memoirs, histories, and more will help you understand why there is no feminism without intersectionality, why we should remember our history before we repeat it, and why Roe v. Wade is a lot more tenuous than you might think.” -Doree Shafrir

Buzzfeed Books

On Poverty and Class in Literature

Alison Stine, writing at the Kenyon Review, wrote the necessary essay “On Poverty” partially in response to classism in Claire Vaye Watkins’ essay “On Pandering.”

“We are poor because we were born that way. We are poor because our husbands or girlfriends left us, or our families disowned us, or our partners abused us. We are poor because we are raising children and children need things, like food. We are poor because of illness or disability. We are poor because the city where we live is expensive, but we don’t have the savings to leave. We are poor because we spent those savings on rent. We are poor because our rent was raised. We are poor because our fifteen-year-old car broke down again. We are poor because of student loans. We are poor because there are no jobs, or there are not enough jobs, or we’re working three jobs, but none pay a living wage.

We are not poor out of lack of hard work. We are not poor because we “want it less.” We stay poor because of institutionalized sexism, racism, homophobia, transphobia, ableism, ageism, and classism.

We stay poor because doors stay closed.” -Alison Stine

To her essay I would add:

Being able to have a job, even at McDonalds, is a luxury beyond many of our disabled writers who are on provincial or federal disability, cannot work, and whose low incomes are, consequently, not only meagre but fixed and unable to ride them through any unexpected storms.

On Poverty

 

%d bloggers like this: