Eaton Hamilton

the problem with being trans is cis people. The problem with being queer is straight people. The problem with being disabled is abled people. The problem with being Black is white people. In other words, prejudice.

Tag: feminism

Anna March–yeah, no. And other scams:

Anna March

Anna March, literary gadabout and organizer in the US, has been exposed as a fraud with a storied history of taking financial and emotional advantage of writers (and others pre-her writing career). Anna and I were FB friends, and gradually grew closer. I hoped one day we’d meet in person. I got involved with Roar Magazine when she began it the week of the presidential inauguration, when Anna asked me to do a regular column. I was thrilled to be able to write regularly for a periodical I assumed I would love. It was something great coming on the terrible weighty shoulders of UBCA and Trumpet, and I hoped it would signal that the year was turning around–if not for imperilled Americans who would roll and march their bodies onto the front line to protest or for womxn students in Canada, then for me, personally. I wrote several columns, sent two, and Anna also bought some reprints. I know it won’t surprise you to hear that I never received payment, despite invoicing. Surprise, surprise, on its one-year anniversary, Roar folded with debts.

The only good thing was that I ended my involvement with Roar and Anna March early on when a friend ratted her out. It broke my heart, honestly. I’d really liked her. I thought she was doing good things in the world. I thought I could be a part of that. Even when her story went wonky–when, say, her only presence on the Binders was to solicit $–I wanted to believe in it, in her. And why would anyone scam writers/artists? We barely make it through a good month. But, yet, I had incontrovertible proof, lots of it, in front of me. She was everything the LA Times has confirmed today that she is. I’m glad the news is finally out in order that no one else ever gets scammed. But I’m also sad with the sadness that hasn’t really gone away since the US election and UBCA.

Thanks, Melissa Chadburn and Carolyn Kellogg. I appreciate you going to the wall.

Literary ambition. Fabulous parties. A hidden past. Who is Anna March?

Maribeth Fischer wrote an essay (perhaps) based on Anna March at the Yale Review in 2012. I read it 15 months ago, thinking it was published as fiction. You can find an excerpt here:

Maribeth Fischer: The Fiction Writer

Here is one about JT Le Roy, a traumatized teen author who turned out to be a 40 yo woman:

The Boy Who Cried Author

Avoid Blogging Course Scams

BBB warning on same author

Edited to add:

Another recent scam outside of literature:

“As an Added Bonus, She Paid for Everything”: My Bright-Lights Misadventure with a Magician of Manhattan

 

Many Gendered Mothers

Ah, but we have a smart and sharp bunch to celebrate over at Many Gendered Mothers, where we publish essays on writers’ mentors. Today Rose Cullis writes on finding and admiring Maggie Nelson’s The Argonauts and feeling “…as I read it, I felt a shift in that place where the meanings are.” There is no more you could ask from someone’s work, is there?

Please join us and send us 800 words about your lit hero. We especially welcome submissions from and about marginalized authors.

 

Sharon Olds: Can She Write, or Is She Just a Woman?

Over at Read It Forward, Jonathan Russell Clark talks about the phenomenon that is Sharon Olds in The Poetic Persistence of Sharon Olds: Why critics can’t handle the poet’s honest depictions of life, death, and women. The critical response to her work has leaked its hatred of women–of their embodiment, of their insistence for indulging this,for demanding a place at the table of letters. But literature snubs its nose back at them. Sharon Olds has been persistently successful as an American poet, in 2013 winning the Pulitzer for Stag’s Leap and this year winning the Wallace Stevens Award carrying a purse of $100,000. And she will be forever revered for teaching many of us how to think about intimacy and the domestic, how to approach it honestly, with our pens drawn, with an analysis of rounded character, with our politics in our pulsing blood, in words.

Dorothy Allison on Lenny

The inimitable Dorothy Allison on Why Working-Class Literature Is the Strongest

27 Books Every Person In Any Country Should Read

…but especially if you’re attending one of the hundreds of Women’s Marches around the world this weekend. Or should I say especially if you’re not?

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“These novels, essay collections, memoirs, histories, and more will help you understand why there is no feminism without intersectionality, why we should remember our history before we repeat it, and why Roe v. Wade is a lot more tenuous than you might think.” -Doree Shafrir

Buzzfeed Books

Writing the body body body

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sketch: Jane Eaton Hamilton 2016

Michele Filgate talks to Anna March, Ruth Ozeki, Eileen Myles, Porochista Khakpour, and Alexandra Kleeman about writing the body. I so wanted to attend this panel, so I’m glad to be able to read it and share it now. Writing the body fantastic, folks. From LitHub.

Writing the Body: Trauma, Illness, Sexuality, and Beyond

Grief

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‘Let’s face it. We’re undone by each other. And if we’re not, we’re missing something. This seems so clearly the case with grief, but it can be so only because it was already the case with desire. One does not always stay intact. One may want to, or manage to for a while, but despite one’s best efforts, one is undone, in the face of the other, by the touch, by the scent, by the feel, by the prospect of the touch, by the memory of the feel.’ -Judith Butler’s essay “Violence, Mourning, Politics” from Precarious Life

“Friends don’t let friends drive rape culture”

I am embarrassed and ashamed of my colleagues who’ve signed a letter called “An Open Letter To UBC: Steven Galloway’s Right To Due Process.” They say this is not about Steven Galloway, but a complaint about “process” at UBC, although its title belies this.

As I have stated, I don’t know the particulars of this case and I don’t know Mr Galloway, but what I do know is rape culture. What I’ve said on FB and repeat here now is: Just because someone is nice in your presence does not mean anything about their behaviour when you’re not around. It is not a ninety percent indicator of the unlikeliness of a crime or misdeed. It is not even a one percent indicator of an unlikeliness of a crime or misdeed. If you think you can disprove, say, battering, because a certain person was really kind when your mom died, or loaned you money for your dog’s surgery, or was your friend since childhood, or wrote a great book, or is warm and friendly around you, and you know them to be compassionate and giving, and funny, you are naive. I understand the impulse–you love or like or admire somebody. But you don’t know them around the complainant unless you are the complainant or a first-hand witness. Period. You don’t.

I’ve heard a lot of statements similar to “We just need to give him/her/them the benefit of the doubt. The process was bad and they’re a friend.” I hear “Innocent until proven guilty.” But this was and is not a court of law. This was and is an employment contract. I hear “Due process,” but the right to due process doesn’t actually exist outside the legal system. I hear grave concerns about UBC process but then I discovered UBC process is actually underway now, and not complete.

Women have been proved to lie about sexual assault in fewer numbers than those that lie about house break ins or thefts; depending on the study, between two to eight percent, which means of course that about ninety-five percent of sexual assault allegations are true, and statistically, it would very much beggar belief if in cases with multiple complainants there appeared multiple liars. Margaret Atwood’s comment, over at The Walrus, in saying that “To think that members of a group called “women” are always right and never lie does a great disservice to accusing women and abuse survivors is bloody insulting–to vulnerable peoples’ struggles to be heard when they speak against abuse of power, and to intelligence.” For Margaret Atwood to say, “If it’s a matter of rape, then it should be a matter of jail,” flies in the face of all knowledge about Canada’s dangerously flawed sexual assault system–more than a half million assaults yearly with 1400 convictions. It’s against everything that feminism, no matter your brand of it, stands for. And to say an “unsubstantiated” complaint is necessarily untrue? Have we learned nothing? Is this the Twilight Zone? This letter yanks Canada’s understanding of rape culture back fifty years. I ask again, as others ask: Why on earth doesn’t the presumption of honesty follow complainants?

Please. Disagreeing with signatories is not a “witch hunt” and not a “lynching.” How disgusted and livid would I be if I had had an ancestor burned at the stake or hung from a tree? How trivializing. Her rants are on Twitter. With the real threats to the marginalized coming fast and furious in the US, and more slowly here, you’d expect hyperbole like this would be met with aghast outcries from signatories. That Atwood further makes a veiled threat about the “consequences” of disagreeing with the signatories in her Walrus letter is unsettling. How are marginalized/dissenting writers supposed to trust, now, that their manuscripts will be adjudicated by these signatories on merit?

Thankfully, more than a dozen people have pulled their names from that letter, and Camilla Gibb has done so with thoughtful, genuine remorse while speaking of painful assaults in her academic career. She sees that the letter’s intent did not match its damage. Her efforts are appreciated.

If you are looking for more information, you can consult the Globe and Mail, Twitter, Quill and Quire, Bookriot, FB and The Walrus. Dorothy Palmer has written important FB posts explaining process at UBC that I suggest everyone avail themselves of.

Context

In thinking how to help with my limited resources, I noticed Doretta Lau’s generous offer to mentor UBC students. I never went to UBC, or indeed to any writing program, but I can throw my skills into the hat, in order that I am doing something and not just yapping, and offer to mentor a queer/disabled UBC student (or someone who yearns to be one) working in short forms. Someone, please, who couldn’t afford such consultations on their own. There won’t be a charge. Please pass that around.

There are more of us in the rest of CanLit than there are in the signatory list of the CanBully letter. That letter is just the last gasp of an ossified system–you can hear the thing wheezing. We support you, complainants, and we salute your bravery and courage, and we apologize for all the pain and repercussions you’ve had to suffer.

“Friends don’t let friends drive rape culture.” -Dorothy Palmer

In the words of Nancy Lee:

cxb3vr5wiaaoxtg

 

CWILA: Canadian Women in the Literary Arts

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“CWILA (Canadian Women in the Literary Arts) is an inclusive national literary organization for people who share feminist values and see the importance of strong and active female perspectives and presences within the Canadian literary landscape.”

What is the story for 2015? After months of counts and compilations by hard-working volunteers, the counts have been released here.

Thank you to CWILA.

Rebecca Solnit Explains Lolita to Men

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Men Explain Lolita to Me

Rebecca Solnit: Art Makes the World, and It Can Break Us

“I sort of kicked the hornets’ nest the other day, by expressing feminist opinions about books. It all came down to Lolita. “Some of my favorite novels are disparaged in a fairly shallow way. To read Lolita and ‘identify’ with one of the characters is to entirely misunderstand Nabokov,” one commenter informed me, which made me wonder if there’s a book called Reading Lolita in Patriarchy. The popular argument that novels are good because they inculcate empathy assumes that we identify with characters, and no one gets told they’re wrong for identifying with Gilgamesh or even Elizabeth Bennett. It’s just when you identify with Lolita you’re clarifying that this is a book about a white man serially raping a child over a period of years. Should you read Lolita and strenuously avoid noticing that this is the plot and these are the characters? Should the narrative have no relationship to your own experience? This man thinks so, which is probably his way of saying that I made him uncomfortable.”

This has happened to so many women–pointing out that Lolita is about child rape is not a way to make friends and influence people. Solnit puts it back into focus for us.

It’s All About the Age, No Treble

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Back in April, Robin Black wrote “What’s So Great About Young Writers?” for the New York Times, citing awards that go not to emerging writers but to emerging young writers as both a feminist issue and an issue related to privilege. It’s a US-based article but we are just as obsessed with youth in Canadian letters.

What’s So Great About Young Writers?

Luby’s Cafeteria, Killeen, Texas

Although I wrote this years ago in response to another senseless (but female-targeted) shooting, I thought it was appropriate to post this week.  I know it was published somewhere, but can’t recall where off hand.  My heart goes out to all the people in CO who this week lost their lives or who were injured, and to their families and community.

 

luby’s cafeteria, killeen, tx

he hated women it was simple an explanation it was evidence he was a loner you know the sort of guy we all know the sort of guy that’s why we don’t walk the night streets

 

nobody stopped to say oh maybe I’ll be gunned down if I eat there thanks anyhow I’ll take a bagged lunch to work thanks again cafeterias mid-day give me the willies

 

fluke you say nuts crazy wacko women are basically safe he just lost it he wanted to make a statement (on the bodies of women) I am covered in graffiti footprints of fear and blood and what it’s like to live hunted

 

it’s true we’ve gone places into boardrooms into factories into nurseries with your children into engineering departments into cafeterias but

 

one woman with red hair was raising a blueberry muffin to her lips and another was sipping coffee with extra sugar she didn’t like milk

 

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