Eaton Hamilton. One of Matisse’s windows, re-visioned. ID: Open shutters seen from indoors. View of ocean/palms. 2022
I painted this small painting this week, 9×12″, oil sticks and finger painting, so keeping up in the studio, at least. Most of the paintings I want and need to work on are still (endlessly/frustratingly) wet, so one waits, and starts other pieces that, too, will also be wet wet wet. My drying rack is full to the brim and paintings dry all over the place, probably interrupting the drying of pieces behind them.
I’ve been trying to figure out Squarespace and wasting a good amount of time trying to decipher how to arrange art galleries there. I am useless at this. Hitting head against wall useless. When I was a photographer, we just bought a template and plunked things in–effortless. But this is not that. I’m about at the spot where I’ll go back to those days and find a ready-made site.
I’ve been thinking a lot about a short story I wrote on Salt Spring Island in the 80s. I did many drafts of a novel based on it before collapsing the project. I’ve learned some lessons about simplification since then, so if I could ever clean my desk of books-in-progress I’d go back to it and do it down and dirty without all the complications.
It was a very good week at the races (election); may we forever entrench democracy’s wins. It was also a very good week for the Giller Prizes, where Suzette Mayr took home the prize for ‘The Sleeping Car Porter,’ entrenching queer wins. It was a wonderfully diverse shortlist, and I look forward to reading all the books.
How about you? How are your short or long pieces going these days, folks?