Eaton Hamilton

the problem with being trans is cis people. The problem with being queer is straight people. The problem with being disabled is abled people. The problem with being Black is white people. In other words, prejudice.

Tag: non-binary

Strangely…

painting by Eaton Hamilton, 2022, oil stick on stretched canvas, 20×30″

ID: Non-binary yt person with short orange hair and black shirt and pants sitting in yellow chair. Green wall. Three-quarter view.

Do you have dreams of your mother or guardian?

Last night I dreamed a short story. I was writing it, but also characters were acting it out. The protagonists were a male and female aging couple, I recall, but what the story was is gone. At the end of the dream, my (long-dead) mother was sitting in a car with me. I was aware that I was editing my story, attempting to deepen it, and I introduced my mother to the characters, which regrettably woke me in such a way I forgot the short story.

I had a decades-long series of nightmares that I was responsible for the horses I grew up with, only no one had told me, and when I got back home, and back to the barn, they were all bone wracks on the brink of starvation. I’d run for water and food, but of course it was going to be too late. More recently, I dreamed of the same situation, that I was feeding starving horses, but this time they were inside the barn in stalls. I ran from empty stall to empty stall. There was one bale of hay and it was soon gone. I used the last of it to feed a mare and then I scrambled around again to find food for her filly. It never occurred to me in the dream that the filly could nurse. All I could find was a pen, one of those ones with four colours, black, blue, red and for some reason green. The pens were cheap and subject to breaking, and in the dream I remembered this, and I was worried about feeding the filly because the pen was likely to break into plastic shards.

It was easy to see when I woke up that the mother was the last horse I fed (true in life, too. I barely knew her in adulthood) and that I was feeding myself the gift of writing. A precarious gift, but a gift nevertheless.

As for last night’s dream? I have no idea. I just wish I could get back the short story and submit it.

Update: Another dream of my mother last night. We were in my childhood living room and I was urging her up out of her chair to dance with me outside under the birch tree. I was saying was a pity it was that the window between chairs was painted shut, and saying I should fix that. She reached out and opened it, when it had never been opened in all my childhood. My idea was that we could play music in the den and it would reach us outside. We both seemed happy. I have no idea what it means. I’m airing out our relationship? Things are magically fixing themselves? I just watched a Holly Near concert?

I have a lot of profound animal dreams. I often dream of seeing whales, though usually from either a beach or a ship. They are generally much larger than they are in reality. Last night I dreamed my ex-wife and I, still together, were swimming in what seemed like Deep Cove, at night, far far out. I turned around and looked back at the shoreline and saw it was far, and thought I should start swimming back regardless of what my ex wanted to do. At once I was surrounded by J-pod of orcas. One spy-hopped, facing me, and suddenly my body got hit with what I knew was her echolocation. I felt it on my right side, particularly in my torso. It was not a feeling I’ve ever actually felt in real life, but in the dream it was a cross between an adrenalin hit and electricity. Without words, the whale said, “Do you speak orca?” and I answered, also without words, “Only a little. A bit.” I said, “Well hello. You’re beautiful,” out loud. I wondered if I should be scared because they were so large and so many, but I was not. Being taken out by an orca, being slammed out of my skin–can’t imagine a better way to go. I could still see whale backs and blowhole breath as they surfaced around me. The spy-hopper submerged. I turned around and watched my ex treading water as the largest whale of the pod (I don’t actually know which one that is) spy-hopped all the way up to her tail flukes, an enormous tower of whale flesh. The next thing I knew my ex and I were swimming beside each other back to shore, and I asked her if she was scared. She said she was. I said her whale had reminded me of a croc that had stood upright on its hind legs once when we were in Namibia.

Covid snags and other tidbits

Most of you know I’ve changed my name to align with my gender identity. (More about that here.) For several years, I concluded that it would simply be too hard to change my writing name to the name I now go by, which is Hamilton, but during lockdown the idea of not being genuine enough, and having to still deal with a girl’s name, to see it associated with me, really began to weigh on me, and I proceeded with a legal name change to Eaton Hamilton.

So welcome to the new, old me. The whole name thing bugged me from the earliest dates I can remember. You wouldn’t think “Jane” was a name people with which people would tease you, but you’d be wrong. I hated my last name too. When I was a kid, there was a TV show called Mr McGoo, with an addled senior in the main role, so having the name “McKee” was fair game on the playground. Now of course I understand it wasn’t really the names they were picking on, but the person they saw as different and flawed, but it still humiliated me, so I hated it too, and changed my surname to my mother’s natal name when she reverted after divorce.

I’d rather chase a female lineage anyhow, even if it does peter out mere generations back.

Happy almost spring! We got through this blighted winter. I wonder what the covid world holds in store for us in the next season. I only leave the house about once every six weeks, and unless something is emergent, I don’t partake. I hope to hell it’s more positive.

New Painting.

‘Tops. Yes They Call it Tops’–painting by Jane Eaton Hamilton 20″x24″ mixed-media on stretched canvas
We are all full of sorrow, grief and fear. I wish you all the strength to bear what comes our way/your way with grace.
I’m not having any luck painting at night because writing is just a wily beast and it claws all the time from any day. Keeping up with errands and housework, too, is proving a chore.
 
The weekends are for art. Today I rearranged my home studio because it’s in a small bedroom and I’m really at the stage I need one of the big studio spaces available in Vancouver, so I can go large. In this studio I can’t paint against the wall, have a ladder to get to the high parts, have multiple works going at once, or even store extant pieces. So it’s all a hellish jumble without adequate storage systems. I reworked the layout of the rickety old tables I have to give me some mostly empty table space for flat work and hope that will help to make it manageable.
 
Meantime, this painting is what I’ve been working on.

Part of the studio jumble is dozens of old paintings where my reach exceeded my grasp. Things I couldn’t figure out and abandoned as under paintings or just flubbed. What a delight to repurpose them! I’ve had several “go-fix-this” days in the last couple months, and with a few exceptions I’ve been successful. There’s still more to do to this one, but it will have to wait as for some reason, tomorrow’s Monday.

Meantime, two major rewrites this week on old/newish short stories, which was hella hard but gratifying. This week fun things like submitting and accounting, along with trying to finish first draft of a new story.

To purchase a print (mug, shower curtain, set of cards) please see Fine Art America under my name or Hamilton Art. To inquire about purchasing originals, please contact me at hamiltonjaneeaton at gmail dot com.

Queen’s Mob journal names the best essays of the decade

 

So fortunate to have had an essay included in Queen’s Mob Review of the Decade. It was The Nothing Between Your Legs, which appeared in Autostraddle and Medium and was later a Notable in Best American Essays (2019). I look forward to reading the ones on this list I’ve missed!

 

 

Pride 2019 on Salt Spring Island!

If you were gay, you’d realize that 99.99% of life is compulsory heterosexuality. By this I mean the art is straight, the stores are straight, the conversation in the supermarket is straight, the books on the shelves are straight, and straight people are everywhere you look. Everywhere you look, involved with themselves and not even noticing all the people they leave out. I don’t think straight people have a clue how exhausting their heterosexuality pressing, pressing, pressing against us is.

Next week is Pride week in the pokey little town where I live, and for a few days this year, not everything will be straight. People on the island will see gay people and gay symbols first, almost everywhere they go. We will even, finally, have our first, albeit temporary, pride crosswalk! (HUGE VOTE FOR A PERMANENT ONE. KEEP OUR QUEER CHILDREN SAFE!) Some will be revolted. Some will want to gawk. Some will be loud and proud allies. Loads will ignore the festivities altogether. But there you are. It’s a week of largely volunteer-run activities put on by DAISSI (Diverse and Inclusive Salt Spring Island … more details on FB), and if you live near Salt Spring Island you can join in the fun. We have a queer art show, the launch of a new play, karaoke, a poetry open mic, some religious services, a parade, a party in the park, a dance starring Queer as Funk, a brunch, a hike, a reading by famous author Anne Fleming.

Sept 3-Sept 14, 2019. The parade and dance are Sept 7. Full information on DAISSI’s FB page.

How do you say goodbye?

Toni Morrison towered over literature. Though older than me by a generation, her early novels became my lodestones, magnets pointing me toward a new kind of literature. Her writing cracked open a world I hadn’t read on the page before, a vibrant world where Black women were accorded center stage, absent “the white gaze.” I knew how corrosive the white gaze could be from going to school in the Bahamas, and how complete, complex and nuanced were the worlds beyond its acid brow.

“Beloved” eventually became my most cherished title.

I started writing in about 1985 as an out lesbian, using mostly male protagonists. I snuck one story with lesbians into my first collection, a story about two women and their adopted autistic child. My second story collection had lots of queer protagonists, and my second poetry collection was all queer. By the time I wrote those books, I was done pretending just to get published. I understood that I’d been pandering (to use Claire Vaye Watkins’ word), though all the while I had been reaching for something else, the bravery to make up tales my way, from a queer gaze, a non-binary gaze, a disabled gaze, and to insist that mainstream Canada hear me. I honed my skills so that they would have to listen. When they wouldn’t, I submitted to literary awards, and I won contests.

That never translated, for me, into publishing contracts, and so, broken-hearted, I distanced myself. I’m sorry to have to say that we have a long way to go in Canada before parity for queers is reached.

I loved Toni Morrison, and I loved her writing, and the lessons of her writing resound with me even today. I’m grateful her literature is available to us all, and particularly grateful it and she stood as beacon and exemplar for generations of Black womxn. I’m going to be doing what many people around the world are doing now, reading her novels again, reading The Bluest Eye, Jazz, Song of Soloman, letting her literature soak back into me with all its strength and wisdom.

A white person, even one marginalized, cannot begin to understand the meaning of Toni Morrison to Black womxn. Here is a link to a touching and important eulogy by Dr Roxane Gay, NY Times. The Legacy of Toni Morrison.

At Medium, the Zora team has re-printed Toni Morrison: In Her Own Words; Cinderella’s Stepsisters, her commencement address to the Barnard graduating class of ’79.

 

New essays up at Medium!

image by Jessica Poundstone for Gay Magazine

I’m moving some of my essays onto Medium for your reading pleasure! Here’s what’s there so far:

The Pleasure Scale, Gay Magazine, about how, as a near shut-in, I find pleasure

The Preludes to Assault, about a short encounter with Jian Ghomeshi, and sexual violence

The Nothing Between Your Legs, about my non-binary life as a girl in the 1950s; first published in Autostraddle

A Night of Art and Anti-Art, about a walk on beach one evening with Liz

Three portraits

Three of my portraits are hung at Dragonfly Art on Salt Spring Island. Great to see faces that aren’t heterosexual on a wall, I must admit. Quick iPhone pic.

The photograph is of three acrylic oil paintings of non-binary people hanging on a display wall.

Autostraddle, and Room

Imagine my good luck to appear in the Bad Behaviour series at Autrostraddle, and in Canada’s oldest feminist journal, Room, in their queer issue, all in one month, alongside the grooviest writers (people I’ve admired far and near for years), and, might I add, the most amazing visual artist, Ness Lee. (Their cover is above.) The former magazine is online, and the latter is available at your favorite independent bookstore or from Room, link below.

My essay about being non-binary, ‘The Nothing Between Your Legs,’ appears here, but check out the awesomeness of the entire series at Autostraddle here.

And a link to my short story, ‘Phosphorescence,’ in Room.

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